The New Yorker logo The New Yorker 1 month ago

David Denby: “Ride the High Country,” at BAM.

In the nineteen-fifties, Fred Zinnemann (“High Noon”) and George Stevens (“Shane”) tried to freeze the Western genre into a single archetypal film, while directors like Budd Boetticher and Anthony Mann were taking it in bitter new directions. Full Article at The New Yorker

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