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Once shocking, much of the work in Tates latest survey of pop art now seems tired. It shows how inured weve become to big-bucks banality The most prized commodity of late western capitalism has been empty irony. Full Article at New Statesman
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"How sweet of you," trills Charles Saatchi, "to think that advertising copy is written from the heart." Full Article at New Statesman
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Hungry for notoriety: detail from Jeff Koons' Rabbit 1986 ‘Pop Life at Tate Modern explores the legacy of Andy Warhol’s later work with the objectivity of anthropologists observing the value systems of an isolated tribal society. Full Article at The Telegraph
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In mid-August at the Queens Museum, the intrepid artist Duke Rileyonce arrested for piloting his makeshift submarine too close to the Queen Mary 2staged a mock battle between art museums in a Flushing Meadows pool. Full Article at New York Magazine
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Holed up in his Somerset manse, the artist Simon Casson has become as mythic as his paintings, described by the trendy New York interior designer Adam Tihany as "the Renaissance on LSD". Full Article at The Independent
