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    He would build his shows around them even if it meant making “adjustments,” as he put it, which could mean rewriting the script, adding musical numbers or doing whatever it took to make them happy. "He would always add a tap number for Ann Miller, even in ‘Hello, Dolly,’" said Patrick Quinn, a former president of the Actors’ Equity Association and a former employee of Mr. Kenley’s in Ohio. Full Article at The New York Times
    He would always add a tap number for Ann Miller, even in ‘Hello, Dolly,’
    SOURCE: The New York Times 3 weeks ago