The Roundabout Theatre Company should be ashamed of itself for asking her to do so.” Teachout was not alone in expressing “almost” sympathy. "I was rooting for Sienna Miller" Ben Brantley wrote in the New York Times, before commenting: “If Julie is written as clashing chords of conflicted impulses, Ms Miller plays them like a novice at a piano, plunking down each note loudly and individually. Full Article at The Bastardly