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From comedy to sci-fi, 2009 dosed us with a healthy mix of the cerebral and the surreal. There’s much to give thanks for over the Thanksgiving holiday, so let’s reminisce about the people, places and things that made this year memorable. Full Article at Wired
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ABC has released this new video of John Lasseter, Chief Creative Officer of Pixar & The Walt Disney Animation Studios, previewing the Christmas special "Prep & Landing," premiering on the network at 8:30/7:30c on Tuesday, December 1st. Full Article at Comingsoon.net
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VENICE, ITALY - SEPTEMBER 06: (R-L) Disney/Pixar directors John Lasseter, Peter Docter and Brad Bird stand on stage with Venice Biennale President Paolo Baratta as they attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66t... View Photo »
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It is ambiguous at best, and as sexy as the obese, shapeless humans living on Axiom, the flagship of the BnL fleet in Pixar movie 'WALL-E.'
SOURCE: Guardian Unlimited -
Coming off the success of their first sequel, Toy Story 2 (1999), the Pixar dream team surprised and delighted critics and audiences with a raucous, inventive, screwball-buddy-comedy whose heart was as big as its laughs. Full Article at DVD Verdict
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Owners of the Sony consoles can enjoy flicks like Angels and Demons, Disney/Pixar’s Cars, Crank 2; The Dark Knight, Drag Me to Hell, Harry Potter and the Order of the Phoenix, Pirates of the Caribbean: The Curse of the Black Pearl and Star Trek. Full Article at Tech Shout!
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The Disney magic — not to be confused with the delights of its Pixar subsidiary — is finally back, after a decade in the animated wilderness, with the tunefully delightful, crowd-pleasing “The Princess and the Frog.” In case you’ve been hiding under a... Full Article at New York Post
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John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, holds balloons during a ceremony where he was presented with the Golden Lion for Lifetime Achievement award at the 66th Venice Film Festival September 6, 2009. View Photo »
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on DVD as a single disc ($29.99) or a two-disc set ($29.99), and on Blu-ray as a four-disc set ($45.99). Full Article at The San Jose Mercury News
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ABC Familys 25 Days of Christmas line-up includes a number of non-Christmasy specials. Full Article at Cinema Blend
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VENICE, ITALY - SEPTEMBER 06: (R-L) Disney/Pixar directors John Lasseter, Peter Docter and Brad Bird stand on stage with Venice Biennale President Paolo Baratta as they attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on Septembe...
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John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, holds balloons during a ceremony where he was presented with the Golden Lion for Lifetime Achievement award at the 66th Venice Film Festival September 6, 2009.
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VENICE, ITALY - SEPTEMBER 06: (R-L) Disney/Pixar directors Lee Unkrich and Brad Bird attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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VENICE, ITALY - SEPTEMBER 06: (R-L) Festival director Marco Muller, Disney/Pixar directors Andrew Stanton, Lee Unkrich, John Lasseter, Pete Docter, Brad Bird and Venice Biennale President Paolo Baratta attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66t...
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VENICE, ITALY - SEPTEMBER 06: (R-L) Festival director Marco Muller, Disney/Pixar directors Andrew Stanton, Lee Unkrich, John Lasseter, Pete Docter and Brad Bird attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 20...
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VENICE, ITALY - SEPTEMBER 06: (R-L) Festival director Marco Muller, Disney/Pixar directors Andrew Stanton, Lee Unkrich, John Lasseter, Pete Docter, Brad Bird, Venice Biennale President Paolo Baratta and George Lucas attend the Golden Lion Lifetime Achievement Award at the Sala Grande...
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VENICE, ITALY - SEPTEMBER 06: (L-R) Disney/Pixar director John Lasseter, festival director Marco Muller, Pete Docter, Venice Biennale President Paolo Baratta and director George Lucas attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festi...
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VENICE, ITALY - SEPTEMBER 06: (L-R) Festival director Marco Muller, Disney/Pixar director Lee Unkrich and Venice Biennale President Paolo Baratta attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, I...
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VENICE, ITALY - SEPTEMBER 06: Disney/Pixar director John Lasseter stands on stage with festival director Marco Muller as he receives the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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VENICE, ITALY - SEPTEMBER 06: Disney/Pixar director John Lasseter stands on stage with festival director Marco Muller as he receives the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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VENICE, ITALY - SEPTEMBER 06: Disney/Pixar directors Brad Bird, Andrew Stanton and John Lasseter attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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VENICE, ITALY - SEPTEMBER 06: Disney Pixar director John Lasseter arrives to collect the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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VENICE, ITALY - SEPTEMBER 06: Disney Pixar director John Lasseter receives the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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VENICE, ITALY - SEPTEMBER 06: Disney/Pixar director Lee Unkrich and guest attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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VENICE, ITALY - SEPTEMBER 06: Disney Pixar director Lee Unkrich receives the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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VENICE, ITALY - SEPTEMBER 06: (L-R) Disney Pixar director's Andrew Stanton, Peter Docter, John Lasseter, Brad Bird and Lee Unkrich receive the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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VENICE, ITALY - SEPTEMBER 06: Disney/Pixar director Brad Brid and wife Elizabeth Canney attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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VENICE, ITALY - SEPTEMBER 06: Disney/Pixar director Brad Brid and wife Elizabeth Canney attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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VENICE, ITALY - SEPTEMBER 06: Disney Pixar director Brad Bird receives the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
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US director John Lasster (C) and directors of Pixar free baloons as they arrive for the ceremony for the Golden Lion for Lifetime Achievement ceremony at the Venice film festival on September 6, 2009.
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US director John Lasseter (C) and directors of Pixar free baloons as they arrive for the ceremony for the Golden Lion for Lifetime Achievement ceremony at the Venice film festival on September 6, 2009.
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Heroes of Pixar films arrive for the ceremony for the Golden Lion for Lifetime Achievement ceremony at the Venice film festival on September 6, 2009. The Golden Lion for Lifetime Achievement was awarded to US director John Lasseter and the Pixar directors.
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Reuters Pictures
Directors of Walt Disney and Pixar Animation Studios Andrew Stanton (L), Pete Docter (2nd L), Brad Bird and Lee Unkrich (R) pose with John Lasseter (C), chief creative officer at the studios, after receiving the lifetime career awards at the 66th Venice Film Festival September 6, 2009.
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Reuters Pictures
John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, holds balloons during a ceremony where he was presented with the Golden Lion for Lifetime Achievement award at the 66th Venice Film Festival September 6, 2009.
View Photo » -
Reuters Pictures
John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, holds balloons during a ceremony where he was presented with the Golden Lion for Lifetime Achievement award at the 66th Venice Film Festival September 6, 2009.
View Photo »
Reuters Pictures
John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, holds balloons during a ceremony where he was presented with the Golden Lion for Lifetime Achievement award at the 66th Venice Film Festival September 6, 2009.
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It is ambiguous at best, and as sexy as the obese, shapeless humans living on Axiom, the flagship of the BnL fleet in Pixar movie 'WALL-E.'
SOURCE: Guardian Unlimited -
The voters from the animation branch will love that it tells a real story by using animation ... That's one of the things that [Pixar chief and animation-branch governor] John Lasseter always says: just because it's an animated film doesn't mean it has to have a cartoon story.
SOURCE: The Wrap -
Keeping cartoon characters trapped in amber is one of the surest routes to irrelevancy ... While Mickey remains a superstar in many homes, particularly overseas, his static nature has resulted in a generation of Americans — the one that grew up with Nickelodeon and Pixar — that knows him, but may not lo...
SOURCE: Tonic -
Wes Anderson’s whimsical take on Roald Dahl’s 1970 book stands a great chance of competing against the likes of Pixar and 'Ponyo.'
SOURCE: Los Angeles Times -
Honestly, Wall-E's capable of a lot of expression. Even if I don't take too much artistic license in his look, Pixar designed Wall-E with a surprising range of motion
SOURCE: Comic Book Resources -
again with the focus just on the story and the characters. It was about three years in that John Lasseter (Pixar pioneer) came to us and said, ‘Hey, there are some really cool new developments that have happened with 3D.’
SOURCE: PopMatters -
All in all, Ice Age: Dawn of the Dinosaurs is an improvement over its massively forgettable predecessor: generally inoffensive (save perhaps for history buffs), a bit more charming than most of the non-Pixar competition, and frivolous in the best possible sense.
SOURCE: Cinematical -
It is going to be a combination, Andrew Stanton comes out of Pixar and the amount of research and development that they do on this stuff is incredible. And I'll be involved in part of that.
SOURCE: Comic Book Movies -
Andrew Stanton comes out of Pixar and the amount of research and development that they do on this stuff is incredible. And I'll be involved in part of that
SOURCE: FirstShowing.net -
Over the years, I think the show has become like a Pixar movie ... It's subversive and ironic but transcends age, which is one reason it's not as well known as it could be. People see it as children's theater. Which it is, but not really. Adults would appreciate it. It's a marketing problem. I can't eve...
SOURCE: Chicago Tribune -
It's like Pixar - I just want good, clean plots
SOURCE: Comic Book Resources -
This strikes me as more of a corporate job than necessarily a creative or green-lighting job ... I don't necessarily see him green-lighting (approving) Pixar or Marvel movies, at least not initially.
SOURCE: Reuters -
A lot of times people look at our movies and think, 'What the heck, that doesn't work out on my numbers chart.' With Up they might say, 'It won't appeal to kids, they hate old people.' Or, 'You can't have an action adventure film that stars a 78-year-old man.' But from the top, Pixar is different
SOURCE: Independent Online -
We work very hard in all of the Pixar films to not make anything in the imagery that causes people to think of something other than the story
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My sources in the animation biz tell me that Disney, which will make Toy Story 3 without Pixar, cannot find a director to guide the project….Every single animator of note has turned down the director's job. They don't want to cross Pixar. They've become the only deal in town.
SOURCE: IGN -
I don't like taking away from 'T1' — I just love 'Toy Story.' The original 'Toy Story' is delicate and natural and fresh and authentic, because we had nothing to compare it to. 'Toy Story 2,' because Pixar and [John] Lasseter are so wonderful and honorable, it's just the next episode. I wish they didn't...
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It's a great 3-D movie because (Pixar) had discovered this ability to move through these spaces in 3-D ... We were just never able to project them in 3-D, and now we can.
SOURCE: CBS News -
We're very conscious of the economic realities of producing animation in Canada and that's one of the reasons we're looking at a live-action/animation hybrid rather than going a full-on Pixar route ... If you go that [Pixar] route you are competing at that level, and that requires a $70-million budget.
– Jeff Richards SOURCE: Vancouver Sun -
We're very conscious of the economic realities of producing animation in Canada and that's one of the reasons we're looking at a live-action/animation hybrid rather than going a full-on Pixar route ... If you go that [Pixar] route you are competing at that level, and that requires a $70-million budget.
– Jeff Richards SOURCE: Vancouver Sun -
Edgar Rice Burroughs was a really smart writer, so smart that some of the stuff I can hardly wrap my head around, so that's up to Pixar to see if they can put in visually to life
SOURCE: MTV.com -
The new Pixar picture 'Wall-E' is one for the ages, a masterpiece to be savoured before or after the end of the world.
SOURCE: The Independent -
Some of Pixar's productions ... have reached heights of invention, speed and wit not seen in animation since the work done by Chuck Jones at Warner Bros. in the 1940s. In 'Ratatouille', the level of moment-by-moment craftsmanship is a wonder.
SOURCE: The Independent -
Say we make 12-14 movies a year: two are animated from Disney/Pixar; eight probably will be Disney live action; three to four Touchstone films a year; and now we get another four to six Touchstone movies from DreamWorks, so it's going to be perfect for us -- just the right production schedule
SOURCE: The Australian -
The future of Disney is probably going to be driven much more by the combination of Pixar and Marvel
SOURCE: International Business Times
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