Panelists include Rebekah Edwards and Monica Jane Peck, authors of essays and criticism on At War, and contributing video artist Daniel Lichtenberg, Tran’s artistic collaborator. The discussion is followed by a Q&A session with curators Peter Max Lawrenc

It had to be his car. And it was. dik Bolger (who got creative with the spelling of his first name in seventh grade) saw the Star Tribune headline seeking the artists of a Peter Max-inspired Citroën and leaped to his computer. "This is just wild," Bolger

Normally, Mike Mullen doesn't approach his work with giddy anticipation. Mullen, 55, is a court officer in Detroit, Mich. , who evicts people whose homes are in foreclosure. So imagine his surprise when he opened up a garage and found a 1961 Citroën parke

"Soul Train" was a show unabashedly by, for and about black people: the artists who performed on it, the dancers and of course, host and impresario Don Cornelius, who died last week. But it was such a rapturous, infectious house party, everybody tuned in

At War, curated by and featuring artists Peter Max Lawrence and Truong Tran, explores identities in conflict, ranging from ethnic, gender, and sexual identity to conflicts of artistic identity indicated by disparate processes, practices, and mediums. On

Peter Max Lawrence is a maker of things. Born in Topeka; adopted soon there after and raised in Kansas City, Kansas. Over the course of his life, he has created a large and diverse body of work, exploring a wide variety of approaches, media and themes. L