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If you’ve always found Chick Corea’s tunes too quirky and glib — and can’t forgive him for Return to Forever — then this tribute is unlikely to change your mind. Full Article at Times Online
Sholto Byrnes applauds a jazz performance that is full of fireworks Shortly before he underwent heart surgery, the late drum virtuoso Buddy Rich was asked if he was allergic to anything. "Country and western music," was Rich's reply. Full Article at New Statesman
Chick Corea performs as part of the Skopje Jazz Festival in Macedonia late October 26, 2009. The jazz festival is a prestigious cultural event in Macedonia which takes place annually over five days. View Photo »
exhibits the harmonic depth of a Chick Corea or Bill Evans, the alternatively driving and subtle swing of a Cedar Walton or McCoy Tyner, the melodic charm of Bud Powell, Wynton Kelly or Herbie Hancock. And like those giants collectively, no mood or milieu is beyond his reach.
Manhattan Transfer is celebrating its 40th year with a vocal tribute to a jazz fusion pioneer, keyboardist Chick Corea. It's not often you hear an album dedicated to the music of Chick Corea. Full Article at Voice of America
Chick Corea is used to being a hard act to follow, but not when he shares a double-bill with Bela Fleck. Full Article at The Guardian Music
The group – whose signature tune is their Grammy Award-winning cover of the Weather Report jazz fusion classic Birdland– are still setting lyrics to established jazz material, as demonstrated by their latest album, The Chick Corea Songbook (Four... Full Article at The Scotsman
Chick Corea performs as part of the Skopje Jazz Festival in Macedonia late October 26, 2009. The jazz festival is a prestigious cultural event in Macedonia which takes place annually over five days. View Photo »
That comes from doing a lot of listening ... You have to mimic those Coltrane and Miles lines before you come up with your own. I used to buy Chick Corea's stuff and sit down and learn those lines. You never know what you're going to get into. When somebody says, 'Solo,' you've got to be ready to go.
With the title of his latest album, this lovably polyglot erstwhile (and unwitting) “freak” folkie turned gallery darling and global lounge lizard asks a valid question. Indeed, what will we be this time? Full Article at The Phoenix
What's been happening to jazz? There's hardly a sharp-suited bopper to be seen in the line-up for the 17th London Jazz Festival, which begins on Friday. Full Article at The Independent
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Chick Corea performs as part of the Skopje Jazz Festival in Macedonia late October 26, 2009. The jazz festival is a prestigious cultural event in Macedonia which takes place annually over five days.
View Photo »Chick Corea performs as part of the Skopje Jazz Festival in Macedonia late October 26, 2009. The jazz festival is a prestigious cultural event in Macedonia which takes place annually over five days.
View Photo »Gary Burton, in collaboration with Chick Corea (not pictured), accepts the Grammy for Best Jazz Instrumental Album, Individual, or Group for the album "The New Crystal Silence" at the 51st annual Grammy Awards in Los Angeles, February 8, 2009.
View Photo »In this undated image released by Concord Music Group, Chick Corea is shown.
View Photo »In this undated image released by Concord Music Group, Chick Corea is shown.
View Photo »In this undated image released by Concord Music Group, Chick Corea performs with Hiromi.
View Photo »In this undated image released by Concord Music Group, Chick Corea is shown.
View Photo »In this undated image released by Concord Music Group, Chick Corea is shown.
View Photo »Chick Corea performs as part of the Skopje Jazz Festival in Macedonia late October 26, 2009. The jazz festival is a prestigious cultural event in Macedonia which takes place annually over five days.
View Photo »exhibits the harmonic depth of a Chick Corea or Bill Evans, the alternatively driving and subtle swing of a Cedar Walton or McCoy Tyner, the melodic charm of Bud Powell, Wynton Kelly or Herbie Hancock. And like those giants collectively, no mood or milieu is beyond his reach.
That comes from doing a lot of listening ... You have to mimic those Coltrane and Miles lines before you come up with your own. I used to buy Chick Corea's stuff and sit down and learn those lines. You never know what you're going to get into. When somebody says, 'Solo,' you've got to be ready to go.
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