Lawrence Lessig is a pioneer in the true sense of the term -- a peacemaker who has bravely walked into one of the most hotly contested battles of the Internet age: copyright and the whole question of the 'ownership' of content in a digital world.
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Lawrence Lessig is a pioneer in the true sense of the term -- a peacemaker who has bravely walked into one of the most hotly contested battles of the Internet age: copyright and the whole question of the 'ownership' of content in a digital world.
Speaking of improvement, one of the things on our new president's to-do list is getting the U.S.'s first CTO, or chief technology officer... I ended up with four potential candidates: Al Gore, Lawrence Lessig, Vin Cerf, and Shane Robison.
They can visit eclectic sites like Kottke.org and Cool Hunting, experiment with fonts, admire Stewart Brand and Lawrence Lessig and join social-networking communities with ironical names.
We are very pleased that Omidyar Network reconfirmed its commitment to support Sunlight's grant-making and initiatives to build greater congressional transparency ... We are also positively thrilled that Lawrence Lessig is joining our Advisory Board as part of his new mission to combat the influence of money in politics. Just as Lessig galvanized the copyright reform movement, he will inspire greater public participation in our work to restore public trust in Congress by cleaning up the systemic corruption on Capitol Hill.
has nothing to do with stupidity. It has nothing to do with ignorance. The simple reason we wage a hopeless war against our kids is that they have less money to give to a political campaign than Hollywood does
Even unfair and mistaken criticism cuts me in ways that are just silly. If I read a bad comment before bed, I don’t sleep. It I trip upon one when I’m trying to write, I can be distracted for hours. I fantasize about creating an alter ego who responds on my behalf. But I don’t have the courage for even that deception.
RW culture ... touches social life differently. It gives the audience something more. Or better, it asks something more of the audience. It is offered as a draft. It invites a response. In a culture in which it is common, its citizens develop a kind of knowledge that empowers as much as it informs or entertains.
What happens when writing with film (or music, or images, or every other form of ‘professional speech’ from the 20th Century) becomes as democratic as writing with text?