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Snakeoil is comprised of Ches Smith on drums (Xiu Xiu, Mr. Bungle, Marc Ribot, Good for Cows), Oscar Noriega on clarinet (Endangered Blood, Paul Motian, Anthony Braxton), Matt Mitchell on piano (John Hollenbeck, Darius Jones, Rudresh Mahanthappa/Bunky...
Contributing artists included Bill Callahan, Cass McCombs, The Low Anthem, Field Music, and ex-Fleet Fox’er Father John Misty, as well as Marc Ribot and My Brighest Diamond, who teamed up for a bonus track version of “Bird on the Wire” from Cohen’s...
Yeah, I love the way that turned out ... Tom was really skeptical about it but finally gave it a try.
STORMIN' NORMAN & SUZY have shared stages with Manhattan Transfer, Tom Waits, Koko Taylor, Eubie Blake, Odetta, Loudon Wainwright, Roosevelt Sykes, John Hammond, Tracy Nelson & Mother Earth, and The Roches among many others. Guitarists who have played...
The liner notes say there were no overdubs or second takes or fancy mixing tricks and, for once, you’ll believe it. Even had Burnett used wax cylinders, he couldn’t have gotten a sound any more antique. Then there are the sidemen: guitarist Marc Ribot...
Mellencamp and producer T-Bone Burnett recorded the 13 mono, unoverdubbed tracks for "No Better Than This" during the summer of 2009, while the Indiana Rock and Roll Hall of Famer was on the road with Bob Dylan and Willie Nelson. Using members of...
I'm kind of unusual in the studio world
For the most part, every artist did two songs, mostly backed by "The Speaking Clock Revue Ensemble" led by guitarist Marc Ribot and featuring guitars, pedal steel, mandolin, upright bass, keyboards, banjo and two drummers (including the great Jim...
A band of musicians also used frequently by Burnett, including bandleader Marc Ribot and percussionist Jim Keltner, backed them up. Three of those acts focused their short sets at New York's Beacon Theater on Burnett-produced material that was either...
Marc Ribot (born 21 May 1954 in Newark, New Jersey) is an American guitarist, composer and singer. Full Article
Yeah, I love the way that turned out ... Tom was really skeptical about it but finally gave it a try.
I'm kind of unusual in the studio world
The sounds of what we’re doing are familiar in different ways and some people know my work or David’s work, or we’ll I’m sure cover something that’s from world music territory and see how it sounds
The first thing is I’m pretty all over the place when I play but whatever he does is so clean and structured that it sounds like it’s from a mixed and mastered CD, and he also has such cool influences
