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I have nothing bad to say about the new Blu-ray release. The movie is great, the package is greateverything is great. Full Article at Cinema Blend
As we countdown to Tuesday’s (11/10) release of Disney*Pixar’s UP on Blu-ray and DVD, we present you with a series of images showcasing the Progression of a Scene from the beginning storyboard though all of the layering of set dressing, animation,... Full Article at AndresonVision
VENICE, ITALY - SEPTEMBER 06: (R-L) Disney/Pixar directors John Lasseter, Peter Docter and Brad Bird stand on stage with Venice Biennale President Paolo Baratta as they attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66t... View Photo »
All in all, Ice Age: Dawn of the Dinosaurs is an improvement over its massively forgettable predecessor: generally inoffensive (save perhaps for history buffs), a bit more charming than most of the non-Pixar competition, and frivolous in the best possible sense.
I finally saw Disney/Pixar’s Up this weekend, and while I went into it figuring I’d probably like it but not love it, I ended up absolutely loving it. Full Article at Geeks of Doom
I’ll admit I didn’t see Up in the theater. By the time it was released I was burned out on 3D Animated films and frankly I’m not a big Pixar fan. I know that’s blasphemy to say. Full Article at Eclipse Magazine
Despite a 58% drop in weekend boxoffice on the foreign circuit, Sony's release of "This Is It" with Michael Jackson maintained its hold on the No. 1 spot overseas, generating $29 million from 8,800 screens in 110 markets for an offshore total of $128.6... Full Article at Hollywood Reporter
John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, holds balloons during a ceremony where he was presented with the Golden Lion for Lifetime Achievement award at the 66th Venice Film Festival September 6, 2009. View Photo »
It is going to be a combination, Andrew Stanton comes out of Pixar and the amount of research and development that they do on this stuff is incredible. And I'll be involved in part of that.
EXPECTATIONS: I'm a sucker for a good Christmas movie, especially when it's based on the story by Charles Dickens. Full Article at Something Awful
John Goodman are back and Billy Crystal are back… on Blu-Ray! Full Article at FilmJabber.com
Pixar Animation Studios is a CGI animation studio based in Emeryville, California, United States, and is notable for its eight Academy Awards. Full Article
VENICE, ITALY - SEPTEMBER 06: (R-L) Disney/Pixar directors John Lasseter, Peter Docter and Brad Bird stand on stage with Venice Biennale President Paolo Baratta as they attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on Septembe...
View Photo »John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, holds balloons during a ceremony where he was presented with the Golden Lion for Lifetime Achievement award at the 66th Venice Film Festival September 6, 2009.
View Photo »VENICE, ITALY - SEPTEMBER 06: (R-L) Disney/Pixar directors Lee Unkrich and Brad Bird attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »VENICE, ITALY - SEPTEMBER 06: (R-L) Festival director Marco Muller, Disney/Pixar directors Andrew Stanton, Lee Unkrich, John Lasseter, Pete Docter, Brad Bird and Venice Biennale President Paolo Baratta attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66t...
View Photo »VENICE, ITALY - SEPTEMBER 06: (R-L) Festival director Marco Muller, Disney/Pixar directors Andrew Stanton, Lee Unkrich, John Lasseter, Pete Docter and Brad Bird attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 20...
View Photo »VENICE, ITALY - SEPTEMBER 06: (R-L) Festival director Marco Muller, Disney/Pixar directors Andrew Stanton, Lee Unkrich, John Lasseter, Pete Docter, Brad Bird, Venice Biennale President Paolo Baratta and George Lucas attend the Golden Lion Lifetime Achievement Award at the Sala Grande...
View Photo »VENICE, ITALY - SEPTEMBER 06: (L-R) Disney/Pixar director John Lasseter, festival director Marco Muller, Pete Docter, Venice Biennale President Paolo Baratta and director George Lucas attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festi...
View Photo »VENICE, ITALY - SEPTEMBER 06: (L-R) Festival director Marco Muller, Disney/Pixar director Lee Unkrich and Venice Biennale President Paolo Baratta attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, I...
View Photo »VENICE, ITALY - SEPTEMBER 06: Disney/Pixar director John Lasseter stands on stage with festival director Marco Muller as he receives the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »VENICE, ITALY - SEPTEMBER 06: Disney/Pixar director John Lasseter stands on stage with festival director Marco Muller as he receives the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »VENICE, ITALY - SEPTEMBER 06: Disney/Pixar directors Brad Bird, Andrew Stanton and John Lasseter attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »VENICE, ITALY - SEPTEMBER 06: Disney Pixar director John Lasseter arrives to collect the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »VENICE, ITALY - SEPTEMBER 06: Disney Pixar director John Lasseter receives the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »VENICE, ITALY - SEPTEMBER 06: Disney/Pixar director Lee Unkrich and guest attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »VENICE, ITALY - SEPTEMBER 06: Disney Pixar director Lee Unkrich receives the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »VENICE, ITALY - SEPTEMBER 06: (L-R) Disney Pixar director's Andrew Stanton, Peter Docter, John Lasseter, Brad Bird and Lee Unkrich receive the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »VENICE, ITALY - SEPTEMBER 06: Disney/Pixar director Brad Brid and wife Elizabeth Canney attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »VENICE, ITALY - SEPTEMBER 06: Disney/Pixar director Brad Brid and wife Elizabeth Canney attend the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »VENICE, ITALY - SEPTEMBER 06: Disney Pixar director Brad Bird receives the Golden Lion Lifetime Achievement Award at the Sala Grande during the 66th Venice Film Festival on September 6, 2009 in Venice, Italy.
View Photo »US director John Lasster (C) and directors of Pixar free baloons as they arrive for the ceremony for the Golden Lion for Lifetime Achievement ceremony at the Venice film festival on September 6, 2009.
View Photo »US director John Lasseter (C) and directors of Pixar free baloons as they arrive for the ceremony for the Golden Lion for Lifetime Achievement ceremony at the Venice film festival on September 6, 2009.
View Photo »Heroes of Pixar films arrive for the ceremony for the Golden Lion for Lifetime Achievement ceremony at the Venice film festival on September 6, 2009. The Golden Lion for Lifetime Achievement was awarded to US director John Lasseter and the Pixar directors.
View Photo »Directors of Walt Disney and Pixar Animation Studios Andrew Stanton (L), Pete Docter (2nd L), Brad Bird and Lee Unkrich (R) pose with John Lasseter (C), chief creative officer at the studios, after receiving the lifetime career awards at the 66th Venice Film Festival September 6, 2009.
View Photo »John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, holds balloons during a ceremony where he was presented with the Golden Lion for Lifetime Achievement award at the 66th Venice Film Festival September 6, 2009.
View Photo »John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, holds balloons during a ceremony where he was presented with the Golden Lion for Lifetime Achievement award at the 66th Venice Film Festival September 6, 2009.
View Photo »John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, holds balloons during a ceremony where he was presented with the Golden Lion for Lifetime Achievement award at the 66th Venice Film Festival September 6, 2009.
View Photo »All in all, Ice Age: Dawn of the Dinosaurs is an improvement over its massively forgettable predecessor: generally inoffensive (save perhaps for history buffs), a bit more charming than most of the non-Pixar competition, and frivolous in the best possible sense.
It is going to be a combination, Andrew Stanton comes out of Pixar and the amount of research and development that they do on this stuff is incredible. And I'll be involved in part of that.
Andrew Stanton comes out of Pixar and the amount of research and development that they do on this stuff is incredible. And I’ll be involved in part of that.
Over the years, I think the show has become like a Pixar movie ... It's subversive and ironic but transcends age, which is one reason it's not as well known as it could be. People see it as children's theater. Which it is, but not really. Adults would appreciate it. It's a marketing problem. I can't eve...
It's like Pixar - I just want good, clean plots
This strikes me as more of a corporate job than necessarily a creative or green-lighting job ... I don't necessarily see him green-lighting (approving) Pixar or Marvel movies, at least not initially.
A lot of times people look at our movies and think, 'What the heck, that doesn't work out on my numbers chart.' With Up they might say, 'It won't appeal to kids, they hate old people.' Or, 'You can't have an action adventure film that stars a 78-year-old man.' But from the top, Pixar is different
We work very hard in all of the Pixar films to not make anything in the imagery that causes people to think of something other than the story
My sources in the animation biz tell me that Disney, which will make Toy Story 3 without Pixar, cannot find a director to guide the project….Every single animator of note has turned down the director's job. They don't want to cross Pixar. They've become the only deal in town.
I don't like taking away from 'T1' — I just love 'Toy Story.' The original 'Toy Story' is delicate and natural and fresh and authentic, because we had nothing to compare it to. 'Toy Story 2,' because Pixar and [John] Lasseter are so wonderful and honorable, it's just the next episode. I wish they didn't...
It's a great 3-D movie because (Pixar) had discovered this ability to move through these spaces in 3-D ... We were just never able to project them in 3-D, and now we can.
We're very conscious of the economic realities of producing animation in Canada and that's one of the reasons we're looking at a live-action/animation hybrid rather than going a full-on Pixar route ... If you go that [Pixar] route you are competing at that level, and that requires a $70-million budget.
We're very conscious of the economic realities of producing animation in Canada and that's one of the reasons we're looking at a live-action/animation hybrid rather than going a full-on Pixar route ... If you go that [Pixar] route you are competing at that level, and that requires a $70-million budget.
Edgar Rice Burroughs was a really smart writer, so smart that some of the stuff I can hardly wrap my head around, so that's up to Pixar to see if they can put in visually to life
The new Pixar picture 'Wall-E' is one for the ages, a masterpiece to be savoured before or after the end of the world.
Some of Pixar's productions ... have reached heights of invention, speed and wit not seen in animation since the work done by Chuck Jones at Warner Bros. in the 1940s. In 'Ratatouille', the level of moment-by-moment craftsmanship is a wonder.
Say we make 12-14 movies a year: two are animated from Disney/Pixar; eight probably will be Disney live action; three to four Touchstone films a year; and now we get another four to six Touchstone movies from DreamWorks, so it's going to be perfect for us -- just the right production schedule
The future of Disney is probably going to be driven much more by the combination of Pixar and Marvel
We face stiff competition from people like DreamWorks and Pixar, and in all of those instances you see the whole studio get behind the movies ... We realized that's something we needed to do.
Developing this game was truly a collaborative effort between Disney Interactive Studios, Pixar Animation Studios, Walt Disney Imagineers and the Disney Parks team. As a result, the end product fully captures the essence of the attraction and delivers a new fun-filled experience appropriate for all memb...
Pixar is more successful with 3D because their movies are better
In fact, defendant Pixar’s founder, John Lasseter, has long touted that he was inspired to create his animation by the [Luxo] lamp on his desk, and hence, the animated lamp became part of Pixar’s logo
- Hemeterio
4 minutes ago
Looking forward to Disney-Pixar's Up DVD this Tuesday.
- shootfighter08 13 minutes ago
- socalthrills
25 minutes ago
#lol : so thats what happens... Pixar Intro Parody :http://ow.ly/Ayzc
- UrbanVACA 26 minutes ago
#lol : so thats what happens... Pixar Intro Parody :http://ow.ly/Ayza
- UnemployedINK 26 minutes ago