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THE IFA of the Year competition isn’t for the faint-hearted these days. But if you want to show Scotland just how good you are, there’s no better way of doing it. When our 2008 contest drew to a close there was a sense that market conditions couldn’t hav
New Yorker Films A scene from Straub and Huillet's “Moses and Aaron,” based on an opera by Schoenberg. Released in 1938 and now available in a remastered edition from the Warner Archive Collection, “The Great Waltz” was one of Louis B. Mayer’s frequent a
From Texas Public Radio's The Source, a weekly program on the arts, environment, politics, and education in San Antonio, hosted by Eileen Pace. Last week, a silent film was nominated for the Best Picture Oscar for the first time in 85 years. The last tim
By now, everyone knows romantic movies come with grand gestures, sweeping soundtracks and swoon-worthy climactic speeches -- Hollywood's been doing romance since it started making movies. And while there have been some that had purple dialogue that made
The Naples Players presents “Moonlight and Magnolias,” a good production of a pretty good play, which adds up to an entertaining evening, especially for a fan of old movies. “Moonlight and Magnolias” has a clever concept. It is 1939, and David O. Selznic
There’s so much to love about this picture. Let’s get a little history on this, shall we? February 17th, 1939 is when Victor Fleming left the director’s chair in order to take over Gone With the Wind from George Cukor. Oddly enough, Cukor spent some time
"Emotionally involving the audience is easy. Anybody can do it blindfolded, get a little kitten and have some guy wring its neck." -George Lucas In the face of George Lucas's derision for easy emotional manipulation, his friend and sometimes filmmaking
Victor Fleming (February 23, 1889 – January 6, 1949) (sometimes "Vic Fleming") was an Academy Award winning American film director. Full Article
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